Tuesday, March 22, 2011

These boots were made for walking...


In the continuing series of things I've found on the ground. For some reason I've spotted a lot of abandoned shoes recently. 


An arty colour picture to get us started. I don't think the urine stain on the ground had anything to do with the shoes at least I hope it hasn't.  







I like the way this cuban heel has ended up lying across the road marking. Almost as if it's standing on top of the line.


These shoes were standing on a back road off K'road in a little area frequented by "ladies of the night"  





I wonder if she was abducted by aliens and beamed up into the mothership? Just leaving the shoes behind. 



And finally this pair of shoes stranded on a traffic island. 

I don't know about you but there's something sad about these shoes standing a lonely vigil on a busy road. 



Then back to the shoes we started with - but this time in arty B&W. 

They put me in mind of an old saying...

"Walk a mile in your enemy's moccasins. Then you'll be a mile a way and you'll also have their moccasins."



Monday, March 14, 2011

The Navigator




"Film is collaborative. Being able to manage that collaboration is as important and as difficult as being a good writer." - Graeme Tetley 1942 - 2011.  

I was proud to call Graeme Tetley my friend. True we were very different writers, we approached the art of screenwriting from opposite ends of the spectrum but, somewhere in the middle, we found a place where we would sit share a glass of wine and plate of kedgeree.

He was a font of wisdom and a man who showed a love and passion for his craft that was evident every time he spoke. His writing and his films were truly lyrical and always walked an easy line between truth and poetry. True he was often a bit too fruity for my liking and I know he was always amused by the constant crowd-pleasing in my work. But we could always talk freely and I walked away from every one of our catch ups with a gem I could use.

With Graeme's passing we've lost not only a fine writer but one of the true trail-blazers of the New Zealand film industry. I've lost a fellow traveller, a mentor and a bloody good friend.

Last time I saw Graeme I said, "Let's catch up for a drink next time I'm in Wellington." He chuckled and said "I'd like that." I didn't get to have that last glass with him but I'll raise a glass today Graeme. Godspeed mate. 

Friday, March 11, 2011

Beds are the new Couches



My regular visitors will be well aware of my fondness for photographing abandoned couches and chairs however recently I have spotted a new trend. Mattresses.


On one of my wanders I discovered these. In my mind there is something both beautiful and disturbing about them. 












So there I was thinking these were unrelated events. But I was soon put right when I discovered the motherlode. You can tell very well from this picture but this woman's front yard and down the side of her house is littered with chairs, couches and mattresses. I only got the chance to take one picture before the woman opened her window and started yelling abuse at me




Many of you have wondered what on earth I'm doing wandering the streets taking these random pictures well I'm figuring it's a genetic thing - my cousin completely independently of me does the same thing but with even more success. Check out his website Weird in Wellington for his much more comprehensive take on the streets of our capital city.  

Monday, March 7, 2011

Don't you wish you belonged to a club?




This sunday I was giving a talk in Wellington. The good people who booked me found the best venue in the world. The Lodge for the Royal Antediluvian Order of Buffaloes. 




This strange and wonderful group has a history steeped in mystery. In so far as surviving records can prove, the earliest known traceable date of a Lodge of the Royal Antediluvian Order of Buffaloes is the "Phoenix Lodge No.1" in 1822 at the Harp Tavern, Great Russell Street near Drury Lane TheatreLondon and was created by stage hands and theatre technicians who had been denied a long held privilege extended to them by the actors and artists of the day.


The lodge in Wellington can trace its roots back to this first lodge. The lodge exists upstairs from the famous Bats theatre in Wellington. This theatre holds a special place in my heart my friends and I over the heady booze-fuelled days of our youth put on many shows on the stage there. We even established ourselves something of a cult following back in the day. Our performances were well known for their ability to test the limits of taste and professionalism.


I'd always been aware that the Buffaloes had their lodge upstairs but I had never been up there. Until this saturday. So here are the photographs of my visit. I think you'll agree the RAOB looks like an ace club with it's own strange rituals and wonderful rules.

























After visiting the Lodge I think I want to be a Royal Antediluvian Buffalo. Who's with me? 


Friday, March 4, 2011

Since you asked...





Lately a lot of people have been asking me what it means when you have "a film by" at the start of a movie. 

What does this mean? In the industry this is referred to as a "vanity credit". The Spreety online site presents this as an explanation:

vanity credit n. 1. A credit given for work that one has not performed, such as a talent manager taking an Executive Producer credit on a film starring her client. 2. A possessory credit, such as “A film by [director’s name]” or “A [director’s name] film”. This presents the director as the principal creative force behind a work and discounts the importance of the contributions of the many others (often numbering several hundred to over a thousand) who participated in the work’s creation. 

Generally this credit appears on the work of a Writer/Director someone who has created the characters and story of the film. We see it on "A Quentin Tarantino Production" or "A Spike Lee Joint" these are well-deserved credits. These men have crafted these films from the idea stage, shaped the characters and threaded the storyline perfectly. We can see their skilled fingerprints on every frame and cleverly crafted line of dialogue. 

However the vanity credit doesn't have a lot of fans in the film world. Over at dvinfo.net here's what some people are saying about this subject. First up Robert K S:

Join Date: Feb 2002
Location: Cleveland, Ohio
Posts: 1,919

A film by Joe Johnston and John Fusco

I saw this rather unique "a film by" credit recently, on Hidalgo.

Generous of Johnston, and a unique way of diffusing the controversy of taking such a credit on a film where the director is not also the writer.

Apparently British director Mike Hodges does the same thing with his films.

Screenwriter David Goyer, famous for his comic book adaptations, once visited a class I was taking. "What do you think of the 'a film by' credit?" someone asked.

"It's a bullshit credit," he said, the contempt shooting from his tongue.

"So you'd never take it?"

"I'd never take it."

"What about for films on which the writer and the director are the same person?" I asked.

"It's bullshit. Filmmaking is a collaborative process involving the talents of so many people. A director doesn't have the right to claim that credit when it should also go to every other person involved in the making of the movie."

Goyer makes his studio directing debut with Blade III this year--we shall see whether he was able to shun the temptation!
__________________
All the best,
Robert K S

Then this from Imran Zaidi:

Join Date: Sep 2002
Location: San Mateo, CA
Posts: 3,782

I always thought that "A Film by" actually carried the mark of an amateur. I mean, when you are making a film in filmschool, and wind up writing/directing/editing/catering/driving/lighting and possibly even acting in your three minute short, well then okay- go ahead and say "A Film by John Doe" and spare us two minutes of screen credits listing your name fifteen times.

Having said that, as a writer, in the professional world my feelings are ; If you have any of the following THREE solo credits.

Writer (sole)
Producer (sole)
Director (director)
Actor (lead)

Then go ahead and lead with "A John Doe Film" or "A Film by John Doe" So I would be okay with a Orson Welles or Kenneth Branaugh on a couple of their projects. 
__________________
Imran Zaidi
Trustee

Then finally Philip Boyer had this to add: 

"A Film By" is a vanity credit that a lot of people (especially screenwriters, search for that phrase at Wordplay and you'll be surprised at the strong feelings it invokes) wish would go away. The thinking among people who don't have the power to make the claim of "A Film By" is that too many people put too much effort into a film for one person to claim the film as by him.
__________________
Philip Boyer


Taking Mr Boyer's cue I scooted over to Wordplay to see what they were saying about this credit. Boyer's right there are a lot of strong feelings about this. Too many to repeat here but they all pretty much boil down to the same thing and are summed up here by Wordplay contributor Kent Jensen:

When you *write*, cast, design sets, oversee makeup & costume directly, storyboard, light the set, set up the shots, actually DIRECT the actors in stage movement and help bring the level of emotional response needed, gain cooperation out of your producers, view the dailies/reschedule, ensure that the film to video/digital transfer is done right, edit, mix, review scores, re-edit, ensure that the final print is cut correctly and approve the check print --- THEN, gawddamnit, that person deserves the credit of "A FILM BY"
Kent finishes by putting his money where his mouth is by saying:

Yes, I am militant on this. I have told my producer in Norway, that if I ever let him put "A FIlm by Kent Jensen" at the start of a film (commercial, short, feature) that I've directed, even if I've written it as well, he may punch me repeatedly.
Kent's rant is an old posting but it was actually the first post that came up when I did the search. The others all pretty much echo his stance. Have a look for yourself.  
So in response to your question "what does A Film by" mean? I can't really tell you. As far as I can tell if you have written and directed your film then you deserve to have this credit. 

Tuesday, March 1, 2011

The Toilet of Terror


A little while ago I visited a friend's house and I enjoyed some liquid beverages. Naturally this afforded me the opportunity to use his facilities...


Seems innocent enough right? A collection of cute little plastic animals to keep me company while I take a whizz. But look a little closer...


Is it just me or is there something menacing in that dinosaurs eye? 


Or is it the way it's head is cocked - gazing into my soul? Nah it's just my imagination surely.


And that's Shiek. Beloved CGI children's character. Nothing to fear from this jolly chappy right? But why are his eyes so red?


He's watching me with those demonic red eyes. Cold dead eyes. Come on Nick snap out of it.


But then there's donkey. Look at that expression. Is he snarling at me? And those eyes. Dear God, those eyes, look at those staring fixated eyes... 


He's looking right at my junk like some kind of psychotically charged beast with a taste for male genitalia. 


Please, I beg you, take it away. 

So anyway that's the reason I peed in your garden. Sorry Stephen.